This blog contains accounts of my travels in India and abroad. Some of the posts were created much later, the dates have been adjusted to give a sense of the real time.

Saturday, August 20, 2011

Street art – a day in Mandawa


I am no art connoisseur! I photograph as a hobby, but it sort of ends there. I can’t tell the difference between a Picasso and street graffiti. In fact, it’s because of people like me that Mr. Bean can break eggs over Whistler’s mother and still get away with it! But that shouldn’t stop me from appreciating art in my own individual way. After all, isn’t art the right-brained introspection and reflection of all of society’s left-brained rules and conventions?  However, Shekhawati doesn’t really adhere to either side. It’s more a reengineering of the canvas, lateral thinking and innovation.
'Kuan' or well in Mandawa


Entrepreneur’s club
The semi-arid region of Shekhawati is made up of the modern day districts of Jhunjhunun, Sikar and Churu in Rajasthan. Its claim to fame is the numerous entrepreneurs that have their roots here. But then again Shekhawati has had a long tradition of trading – old caravan routes, some starting at the ports of Gujarat others from China passed through these parts, creating an affluent Marwari community.

Public art gallery
Shekhawati is regarded as ‘the open art gallery’ of India and the village of Mandawa is probably the best example on display. It is touristy enough for you to have access to comforts yet rural enough to allow your senses to experience the freshness and authenticity of the place. Indeed, Mandawa has no masks.  There are no information boards or placards, no directions to the tourist spots.
Locals
Walking in Mandawa is quite an experience
The main attraction here is the havelis – old decaying structures, now a fragment of their former glory, when their owners still occupied them. You can easily stay at a haveli in Mandawa. There are a few of them that have been converted into hotels, but they still retain their feeling of grandeur. And what’s more, they aren’t that expensive either. I myself stayed at a haveli known as the Shekhawati hotel – not the most glamorous, but a haveli nonetheless.

Inside the Jhunjhunwala haveli

Street Art














So what is a haveli?
When translated from Persian, ‘haveli’ means an ‘enclosed space’. It is in some ways, a south asian mansion. Havelis are typically 2-3 storeys with the higher storeys having balconies supported by carved and painted brackets. The windows on these balconies that are generally plain wooden panels hinged on the sides are conspicuous by their stark contrast to the decorated walls .The building is built around a rectangular courtyard which might have a fountain or a small artificial pond. The haveli contains several rooms with possibly certain areas especially for men or women. The walls outer and inner are frescoed and decorated. Some might even have antiques on display.

Vibrant colours of Rajasthan
Among the notable havellis are the Goenka double haveli, the Gulab Rai Ladia haveli, the Mohanlal Saraf Haveli, Murmuria haveli and others. There is also the Mandawa haveli now turned into a hotel. With their original owners moving to India’s metros over time, most of them are now looked after by caretakers employed by the original families. The havelis demonstrate a community’s desire to preserve their showcase of art; but unfortunately, this showcase is in a slow state of decripitation like many of India’s monuments. With paint peeling off and moss encroaching in from the corners, the liveliest thing you will find are the fluttering clothes on strings in the courtyard. But don’t get me wrong, even the frescos that are left intact are a feast for the eyes. Most themes revolve around Hindu mythology and royalty. Also apparent is the colonial influence, with paintings of Europeans and the advances they brought to the subcontinent. Renovations are on in most havelis and one hopes that the former elegance of these buildings is fully restored.
It is highly recommended that your see Mandawa on foot – it is small enough for you to cover the entire village in a few hours and it is worth every minute! Some of the best work on display is not inside the havelis, but outside. Murals and paintings will accompany as you walk through the village- street graffiti of a different kind!  Add to this, a touch of regular Rajasthan – the striking  colours of local attire against the sandstone coloured walls, the equally colourful and animated puppets on the corners and the calm, self coloured camel who doesn’t quite seem to bother if you exist or not – and you have a visual treat.

Looking out from Ganga Mai temple, Nawalgarh
Gaurd at Mandawa fort
I end the day at a handicraft store – on sale are bedsheets, pillow covers and paintings with exquisite Rajasthani work, but none of them say ‘Mandawa’. My attention turns to a particular painting – a very generic theme of an elephant in a procession, but the paper is different, something else seems to be written on it, and I mean handwritten! The shopkeeper tells me that it is used stamp paper. I notice the seal at the head. The shopkeeper, noticing my excitement pulls out a few more – the trend is the same – a lot of the writing has faded away, but you can tell that they are of the neighbouring provinces – Jeypore (Jaipur) or Kishangarh. What’s more, I got mine in a thousand bucks! It resembles for me the outlook of the locals – the indomitable innovative spirit that gave India some of her best businessmen and gave Shekhawati a new canvas.


A peacock in Nawalgarh
Excursions from Mandawa
People often wonder about the best base to explore Shekhawati is – for me it’s easily Mandawa. Some of the other cities/towns in the region like Jhunjhunun, Nawalgarh and Sikar are crowded, dirty and more expensive. The exhibition continues but the homely and unadulterated feel is missing. Other village/towns worth a mention are Churu, Mukundgarh, Dundlod and Fatehpur.

Pointers



Lively puppets